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Ibsen S Self Conscious Art

Ibsens Self Conscious Art
Author: David Rosengarten
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Ibsen's Self-conscious Art
Language: en
Pages: 544
Authors: David Rosengarten
Categories:
Type: BOOK - Published: 1980 - Publisher:
Books about Ibsen's Self-conscious Art
Comprehensive Dissertation Index
Language: en
Pages:
Authors: David Rosengarten
Categories: Dissertations, Academic
Type: BOOK - Published: 1984 - Publisher:
Books about Comprehensive Dissertation Index
Dissertation Abstracts International
Language: en
Pages:
Authors: David Rosengarten
Categories: Dissertations, Academic
Type: BOOK - Published: 1986 - Publisher:
Books about Dissertation Abstracts International
Nineteenth Century Theatre Research
Language: en
Pages:
Authors: David Rosengarten
Categories: Drama
Type: BOOK - Published: 1982 - Publisher:
Books about Nineteenth Century Theatre Research
Ibsen's Lively Art
Language: en
Pages: 252
Authors: Marker Frederick J, Frederick J. Marker, Marker Frederick J. Marker, Lise-Lone Marker, Marker Lise-Lone, Marker Lise-Lone Marker
Categories: Drama
Type: BOOK - Published: 1989-03-30 - Publisher: Cambridge University Press
According to the Markers, a play, especially an Ibsen play, is fundamentally a text for performance. In their study of Henrik Ibsen in the theater, they suggest that a deeper meaning underlies the "reality" Ibsen represents, yet the precise manner of its expression is the lively variable that gives his greatest plays their abiding fascination in performance. This comprehensive survey explores key stage productions of six major Ibsen plays, from Peer Gynt to John Gabriel Borkman. The authors push beyond the more familiar confines of English Ibsen into the less commonly traversed territory of German, Russian, French, and, in particular, Scandinavian theater culture. The result is a study that ranges freely in scope from the earliest productions at the start of the great Norwegian dramatist's career to some of the recent and often radical reinterpretations of our own day.
American Doctoral Dissertations
Language: en
Pages:
Authors: Marker Frederick J, Frederick J. Marker, Marker Frederick J. Marker, Lise-Lone Marker, Marker Lise-Lone, Marker Lise-Lone Marker
Categories: Dissertation abstracts
Type: BOOK - Published: 1980 - Publisher:
Books about American Doctoral Dissertations
Performing Consciousness
Language: en
Pages: 230
Authors: Daniel Meyer-Dinkgräfe, Per Brask
Categories: Performing Arts
Type: BOOK - Published: 2009-12-14 - Publisher: Cambridge Scholars Publishing
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art form understood as part of a whole, as taking place in total Consciousness as well as expressing consciousness(es), making both breathing a source of meaning and shamanic journeying part of the creative process that brings into “being” imaginative resources for the actor that undermines traditional understandings of character/self/ego. All the pieces collected here, then, reveal a concern with consciousness and the theatre, the ways that performance can be a spiritual practice, a means a reaching higher levels of consciousness, as well as the ways the theatre may have healing effects on audiences by engaging them in wider and deeper levels of imagination, the levels where dualities disappear.
Henrik Ibsen and the Birth of Modernism
Language: en
Pages: 416
Authors: Toril Moi
Categories: Literary Criticism
Type: BOOK - Published: 2008-02-14 - Publisher: OUP Oxford
Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the
Ibsen
Language: en
Pages: 140
Authors: Janko Lavrin
Categories: Literary Criticism
Type: BOOK - Published: 2015-08-11 - Publisher: Routledge
This book, first published in 1950, could best be described as a combination of literary, psychological and social criticism. Considerable space is allotted to the personal inner drama of Ibsen, which provides not only a clue to his art but shows how most of his themes inevitably grew out of the other. The author also explores some of those factors which make Ibsen of interest to the generation that were facing the social and spiritual havoc of the post-war period. This book will be of interest to students of literature and theatre.
English and Nordic Modernisms
Language: en
Pages: 298
Authors: Bjørn J. Tysdahl, Mats Jansson, Jakob Lothe, Steen Klitgård Povlsen
Categories: Literary Criticism
Type: BOOK - Published: 2002 - Publisher:
This collection of essays by distinguished scholars from six countries traces the criss-crossing of influence between the English-speaking and Nordic world during the Modernist period. It demonstrates how authors like Ibsen and Hamsun contribute to t