Music And British Culture 1785 1914 PDF Books

Download Music And British Culture 1785 1914 PDF books. Access full book title Music And British Culture 1785 1914 by Research Associate Department of Music Leanne Langley, the book also available in format PDF, EPUB, and Mobi Format, to read online books or download Music And British Culture 1785 1914 full books, Click Get Books for free access, and save it on your Kindle device, PC, phones or tablets.

Music And British Culture 1785 1914

Music And British Culture 1785 1914
Author: Research Associate Department of Music Leanne Langley
Publisher: Oxford University Press on Demand
ISBN: 9780198167303
Size: 74.33 MB
Format: PDF, Mobi
View: 4375
Get Books

This book shows how music was used and valued by different types of British people in the 19th century - from London composers, Manchester players, and Belfast concert managers to Welsh choral singers and Calcutta pianists. The essays are arranged chronologically, and demonstrate how particular geographic, social, economic, and political conditions in Britain affected the music that was heard and appreciated.
Music and British Culture, 1785-1914
Language: en
Pages: 402
Authors: Research Associate Department of Music Leanne Langley
Categories: Music
Type: BOOK - Published: 2000 - Publisher: Oxford University Press on Demand
This book shows how music was used and valued by different types of British people in the 19th century - from London composers, Manchester players, and Belfast concert managers to Welsh choral singers and Calcutta pianists. The essays are arranged chronologically, and demonstrate how particular geographic, social, economic, and political conditions in Britain affected the music that was heard and appreciated.
Muzio Clementi and British Musical Culture
Language: en
Pages: 230
Authors: Luca Lévi Sala, Rohan H. Stewart-MacDonald
Categories: Music
Type: BOOK - Published: 2018-06-14 - Publisher: Routledge
Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century
Language: en
Pages: 568
Authors: Paul Watt, Sarah Collins, Michael Allis
Categories: History
Type: BOOK - Published: 2020 - Publisher: Oxford Handbooks
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges
Music and Performance Culture in Nineteenth-Century Britain
Language: en
Pages: 364
Authors: Bennett Zon
Categories: Music
Type: BOOK - Published: 2016-04-29 - Publisher: Routledge
Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.
Refugees and Cultural Transfer to Britain
Language: en
Pages: 238
Authors: Stefan Manz, Panikos Panayi
Categories: History
Type: BOOK - Published: 2013-10-18 - Publisher: Routledge
This book is the first to focus specifically upon the relationship between refugees and intercultural transfer over an extensive period of time. Since circa 1830, a series of groups have made their way to Britain, beginning with exiles from the failed European revolutions of the mid-nineteenth century and ending with refugees who have increasingly come from beyond Europe. The book addresses four specific questions. First, what roles have individuals or groups of refugees played in cultural and political transfers to Britain since 1830? Second, can we identify a novel form of cultural production which differs from that in the homeland? Third, to what extent has dissemination within and transformation of the receiving culture occurred? Fourth, to what extent do refugee groups, themselves, undergo a process of cultural restructuring? The coverage of the individual essays ranges from high culture, through politics and everyday practices. The volume moves away from general perceptions of refugees as ‘problem groups’ and rather focuses on the way they have shaped, and indeed enriched, British cultural and political life. This book was previously published as a special issue of Immigrants and Minorities.
Göttinger Händel-Beiträge
Language: de
Pages: 246
Authors: Wolfgang Sandberger
Categories: Fiction
Type: BOOK - Published: 2014-05-14 - Publisher: Vandenhoeck & Ruprecht
Mit Band XV präsentieren sich die Göttinger Händel-Beiträge (GHB) in einem neuen Erscheinungsbild und mit neuer inhaltlicher Konzeption. Der Band dokumentiert das Symposium “‘The Power of Musick’ – Music and Politics in Georgian Britain”, das im Juni 2013 am Deutschen Historischen Institut in London stattfand. Thematisiert wird die Musikkultur zur Zeit der Personalunion (1714-1837) und ihre besondere Funktion als Mittel zur Repräsentation, Kommunikation und Performanz von Herrschaft und Politik. Im Zentrum stehen die Werke, die Händel während seiner Londoner Zeit komponierte und ihre vielfältige Wirkungsgeschichte.
Das Deutsche Kaiserreich in der Kontroverse
Language: de
Pages: 461
Authors: Sven Oliver Müller, Cornelius Torp
Categories: History
Type: BOOK - Published: 2011-04-12 - Publisher: Vandenhoeck & Ruprecht
Der Band liefert einen wichtigen Beitrag zu den anhaltenden Debatten über das Deutsche Kaiserreich (1871–1918). Ausgewiesene Kaiserreichexperten internationaler Provenienz geben einen Überblick über den aktuellen Forschungsstand und werfen neue, richtungweisende Fragen auf. Das Buch ist an vier Achsen ausgerichtet, die Themen und Probleme markieren, auf die sich die Kontroversen über das Kaiserreich in den letzten Jahren konzentriert haben: die Verortung des Kaiserreichs in der deutschen Geschichte; das Verhältnis von Gesellschaft, Politik und Kultur; Formen militärischer Gewalt mit ihrem Brennpunkt im Ersten Weltkrieg und schließlich die transnationale Verflechtung Deutschlands im Zeitalter der »ersten Globalisierung«.
Mendelssohn and Victorian England
Language: en
Pages: 208
Authors: ColinTimothy Eatock
Categories: Music
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge
This valuable book considers the reception of the composer, pianist, organist and conductor Felix Mendelssohn in nineteenth-century England, and his influence on English musical culture. Despite the composer's immense popularity in the nation during his lifetime and in the decades following his death, this is the first book to deal exclusively with the subject of Mendelssohn in England. Mendelssohn's highly successful ten trips to Britain, between 1829 and 1847, are documented and discussed in detail, as are his relationships with English musicians and a variety of prominent figures. An introductory chapter describes the musical life of England (especially London) at the time of Mendelssohn's arrival and the last two chapters deal with the composer's posthumous reception, to the end of the Victorian era. Eatock reveals Mendelssohn as a catalyst for the expansion of English musical culture in the nineteenth century. In taking this position, the author challenges much of the extant literature on the subject and provides an engaging story that brings Mendelssohn and his English experiences to life.
Sounding Feminine
Language: en
Pages: 224
Authors: David Kennerley
Categories: Music
Type: BOOK - Published: 2020-05-01 - Publisher: Oxford University Press
Between 1780 and 1850, the growing prominence of female singers in Britain's professional and amateur spheres opened a fraught discourse about women's engagement with musical culture. Protestant evangelical gender ideology framed the powerful, well-trained, and expressive female voice as a sign of inner moral corruption, while more restrained and delicate vocal styles were seen as indicative of the performer's virtuous femininity. Yet far from everyone was of this persuasion, and those from alternative class and religious milieux responded in more affirmative ways to the sound of professional female voices. The meanings listeners ascribed to women's voices reflect crucial developments in the musical world of the period, such as the popularity of particular genres with audiences of certain social backgrounds, and the reasons underpinning the development of prevalent types of nineteenth-century professional female vocality. Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture. Arguing for the importance of the aural dimension of the past, author David Kennerley draws from a variety of fields-including sound studies, sensory histories, and gender theory-to examine how audiences heard different kinds of femininities in the voices of British female singers. Sounding Feminine explores the intense
Romanticism and Music Culture in Britain, 1770-1840
Language: en
Pages: 295
Authors: Gillen D'Arcy Wood
Categories: Literary Criticism
Type: BOOK - Published: 2010-03-04 - Publisher: Cambridge University Press
This book surveys the role of music in British culture throughout the long Romantic period.