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Music And Cultural Memory In Post 1989 Europe

Music And Cultural Memory In Post 1989 Europe
Author: Ana Hofman
Publisher:
ISBN: 9789612543877
Size: 25.33 MB
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Sámi Musical Performance and the Politics of Indigeneity in Northern Europe
Language: en
Pages: 262
Authors: Thomas Hilder
Categories: Music
Type: BOOK - Published: 2014-10-16 - Publisher: Rowman & Littlefield
In Sámi Musical Performance and the Politics of Indigeneity in Northern Europe, ethnomusicologist Thomas Hilder offers the first book-length study of this diverse and dynamic music scene and its intersection with the politics of indigeneity.
Music and Cultural Memory in Post-1989 Europe
Language: en
Pages: 41
Authors: Ana Hofman, Mojca Kovačič
Categories: Music
Type: BOOK - Published: 2012 - Publisher:
Books about Music and Cultural Memory in Post-1989 Europe
Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War
Language: en
Pages: 314
Authors: Michael Baumgartner, Ewelina Boczkowska
Categories: Music
Type: BOOK - Published: 2019-09-23 - Publisher: Routledge
In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with
Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften 4
Language: en
Pages: 258
Authors: Gerda Lechleitner, Christian Liebl
Categories: Music
Type: BOOK - Published: 2014-09-29 - Publisher: Cuvillier Verlag
Relationships of speech tone and music have been intriguing me since my early studies in ethnomusicology and linguistics. Conducting fieldwork in Botswana in 1997 brought me in contact with a Bantu tone language of two tones, but in those days I had neither a matching methodology nor linguistic records that would have allowed me to focus on their relationship to singing and music – a recurring situation that is mentioned, among others, in Catherine Ingram’s contribution. The chance to participate in a DoBeS project in Upper Assam, India, documenting endangered Tai and Tibeto-Burman languages (isolating tone languages with contour tone) with project leader linguist Stephen Morey was a welcome challenge that taught me about the spectrum of possible relationships between speech tone and musics across different cultures. The “Workshop Relationships of Speech Tone and Music” in Vienna in 2012 developed out of the discourse between Stephen Morey and myself, and has become an important mile stone in what I see as an interdisciplinary basic research endeavour. Volumes dealing with this topic in a comparative way have previously been published, for example Thomas A. Sebeok & Donna Jean Umiker-Sebeok (1976) or Bonnie Wade (1993), but none of them targeted it as
Popular Music and the Moving Image in Eastern Europe
Language: en
Pages: 256
Authors: Ewa Mazierska, Zsolt Gyori
Categories: Music
Type: BOOK - Published: 2018-12-13 - Publisher: Bloomsbury Publishing USA
Popular Music and the Moving Image in Eastern Europe is the first collection to discuss the ways in which popular music has been used cinematically, from musicals to music videos to documentary film, in Eastern Europe from 1945 to the present day. It argues that during the period of state socialism, moving image was an important tool of promoting music in the respective countries and creating popular cinema. Yet despite this importance, filmmakers who specialized in musicals lacked the social prestige of leading 'auteurs' and received little critical attention. The resulting scholarly prejudice towards pop culture created a severe shortage of critical studies of the genre. With the fall of state socialism - and with it, the need for economically viable film and media industries - brought about an unprecedented upsurge of films utilizing popular music, and a greater recognition of popular cinema as a legitimate object of study. Popular Music and the Moving Image in Eastern Europe fills the gap and demonstrates why the popular music-cinema interface needs to be theorized with respect to the political, ideological, and social forces invested in popular culture.
Women’s Narratives and the Postmemory of Displacement in Central and Eastern Europe
Language: en
Pages: 272
Authors: Simona Mitroiu
Categories: Literary Criticism
Type: BOOK - Published: 2018-10-15 - Publisher: Springer
This volume explores the different mechanisms and forms of expression used by women to come to terms with the past, focusing on the variety and complexity of women’s narratives of displacement within the context of Central and Eastern Europe. The first part addresses the quest for personal (post)memory from the perspective of the second and third generations. The touching collaboration established in reconstructing individual and family (post)memories offers invaluable insights into the effects of displacement, coping mechanisms, and resilience. Adopting the idea that the text itself becomes a site of (post)memory, the second part of the volume brings into discussion different sites and develops further this topic in relation to the creative process and visual text. The last part questions the past in relation to trauma and identity displacement in the countries where abusive regimes destroyed social bonds and had a lasting impact on the people lives.
Musical Performance and the Changing City
Language: en
Pages: 310
Authors: Fabian Holt, Carsten Wergin
Categories: Music
Type: BOOK - Published: 2013-09-02 - Publisher: Routledge
A contribution to the field of urban music studies, this book presents new interdisciplinary approaches to the study of music in urban social life. It takes musical performance as its key focus, exploring how and why different kinds of performance are evolving in contemporary cities in the interaction among social groups, commercial entrepreneurs, and institutions. From conventional concerts in rock clubs to new genres such as the flash mob, the forms and meanings of musical performance are deeply affected by urban social change and at the same time respond to the changing conditions. Music has taken on complex roles in the post-industrial city where culture and cultural consumption have an unprecedented power in defining publics, policies, and marketing strategies. Further, changes in real estate markets and the penetration of new media have challenged even fairly modern music cultures. At the same time, new music cultures have emerged, and music has become a driver for cultural events and festivals, channeling the dynamics of a society characterized by the social change, media intensity, and the neoliberal forces of post-industrial urban contexts. The volume brings together scholars from a broad range of disciplines to build a shared understanding of post-industrial contexts in Europe
Media, Democracy and European Culture
Language: en
Pages: 360
Authors: Ib Bondebjerg, Peter Madsen
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2009-01-01 - Publisher: Intellect Books
Media, Democracy and European Culture presents some of the most recent, cutting edge research on Europe, from social, political and cultural perspectives, equally focusing on each dimension of democracy in Europe. The role of the media, communication policy and the question of how the media report on Europe runs as a thread through all contributions. The book is interdisciplinary and international. It brings together researchers from many countries and from humanities, social sciences and law. The articles combine the discussion of central theories and theoretical concepts for the understanding of media, democracy and European culture with empirical data and comparative analytical studies of media culture and democracy across Europe. The book is written by some of the most prominent European Scholars in media, political science, sociology and cultural studies.
British Cultural Memory and the Second World War
Language: en
Pages: 224
Authors: Lucy Noakes, Juliette Pattinson
Categories: History
Type: BOOK - Published: 2013-11-21 - Publisher: A&C Black
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
Popular Music Scenes and Cultural Memory
Language: en
Pages: 206
Authors: Andy Bennett, Ian Rogers
Categories: Social Science
Type: BOOK - Published: 2016-11-23 - Publisher: Springer
This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.