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The Cinema Of Terrence Malick

The Cinema Of Terrence Malick
Author: Hannah Patterson
Publisher: Columbia University Press
ISBN: 1905674252
Size: 20.32 MB
Format: PDF, Kindle
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This updated book continues its explorations of identity, place and existence in his films, with three new essays by Adrian Martin, Mark Cousins and James Morrison on his latest film The New World (2005), as well as analysis of Badlands (1973), Days of Heaven (1978) and The Thin Red Line (1998).
The Cinema of Terrence Malick
Language: en
Pages: 232
Authors: Hannah Patterson
Categories: Performing Arts
Type: BOOK - Published: 2007 - Publisher: Columbia University Press
This updated book continues its explorations of identity, place and existence in his films, with three new essays by Adrian Martin, Mark Cousins and James Morrison on his latest film The New World (2005), as well as analysis of Badlands (1973), Days of Heaven (1978) and The Thin Red Line (1998).
The Films of Terrence Malick
Language: en
Pages: 162
Authors: James Morrison, Thomas Schur
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2003 - Publisher: Greenwood Publishing Group
Examines in-depth all of the films of notable director Terrence Malick and places them in their cultural and artistic context, creating a portrait of Malick as one of the key filmmakers of our time.
Terrence Malick and the Thought of Film
Language: en
Pages: 199
Authors: Steven Rybin
Categories: Performing Arts
Type: BOOK - Published: 2012 - Publisher: Rowman & Littlefield
Terrence Malick and the Thought of Film explores how the experience of viewing Terrence Malick's films enables imaginative acts of philosophical interpretation. Useful for both professional philosophers interested in film and scholars of cinema intrigued by philosophy, this book shows the ways Malick's films cast philosophy in new cinematic light.
Zwei Welten - Terrence Malick und seine Filme
Language: de
Pages: 120
Authors: Stefan Karlegger
Categories: Performing Arts
Type: BOOK - Published: 2009 - Publisher: Grin Publishing
Magisterarbeit aus dem Jahr 2009 im Fachbereich Filmwissenschaft, Note: 1,3, Johannes Gutenberg-Universität Mainz (Institut für Filmwissenschaft), Sprache: Deutsch, Abstract: Wenn man von dem Vorhaben spricht, eine Arbeit über den amerikanischen Filmregisseur Terrence Malick zu schreiben, erntet man in aller Regel zunächst fragende Blicke. Diese Wirkung lässt sich auf verschiedene Ursachen zurückführen. Terrence Malick zählt nicht zu den bekanntesten Filmpersönlichkeiten, da er sich mit Äußerungen zu seinen Filmen zurückhält und sich weitgehend aus der Öffentlichkeit zurückzieht. So liegt zwischen seinem zweiten, Days of Heaven, und dritten Film, The Thin Red Line, eine Schaffenspause von über 20 Jahren, in denen der Verbleib von Terrence Malick nicht abschließend geklärt ist. Dieses Verhalten verschafft Malick einen ähnlichen Ruf, wie ihn seine literarischen Kollegen J.D. Salinger oder Thomas Pynchon inne haben. Eine weitere Ursache liegt in der filmischen Arbeit Malicks. In seiner über 35-jährigen Karriere führte Malick bei vier Lang- sowie einem Kurzspielfilm Regie. Die Werke, die von der Filmkritik überwiegend positiv aufgenommen wurden, waren beim Publikum weniger erfolgreich. Adrian Danks beschreibt Badlands als "[...] undoubtedly one of the great first films of the cinema, and it is also one of the most influential works of the early 1970s, a golden period of American filmmaking."
Terrence Malick
Language: en
Pages: 240
Authors: Thomas Deane Tucker, Stuart Kendall
Categories: Performing Arts
Type: BOOK - Published: 2011-05-12 - Publisher: Bloomsbury Publishing USA
Terrence Malick's four feature films have been celebrated by critics and adored as instant classics among film aficionados, but the body of critical literature devoted to them has remained surprisingly small in comparison to Malick's stature in the world of contemporary film. Each of the essays in Terrence Malick: Film and Philosophy is grounded in film studies, philosophical inquiry, and the emerging field of scholarship that combines the two disciplines. Malick's films are also open to other angles, notably phenomenological, deconstructive, and Deleuzian approaches to film, all of which are evidenced in this collection. Terrence Malick: Film and Philosophy engages with Malick's body of work in distinct and independently significant ways: by looking at the tradition within which Malick works, the creative orientation of the filmmaker, and by discussing the ways in which criticism can illuminate these remarkable films.
Terrence Malick
Language: en
Pages: 272
Authors: Robert Sinnerbrink
Categories: Philosophy
Type: BOOK - Published: 2019-07-11 - Publisher: Bloomsbury Publishing
Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement. In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of experience, encompassing anxiety and doubt, wonder and awe, to questioning and acknowledgment, through aesthetic engagement and poetic reflection. Drawing on a range of thinkers and approaches from Heidegger and Cavell, Nietzsche and Kierkegaard, to phenomenology and moral psychology Sinnerbrink explores how Malick's films respond to the problem of nihilism the loss of conviction or belief in prevailing forms of value and meaning and the possibility of ethical transformation through cinema: from self-transformation in our relations with others to cultural transformation via our attitudes towards towards nature and the world. Sinnerbrink shows how Malick's later films, from The Tree of Life to Voyage of Time, provide unique opportunities to explore cinematic
Theology and the Films of Terrence Malick
Language: en
Pages: 290
Authors: Christopher B. Barnett, Clark J. Elliston
Categories: Performing Arts
Type: BOOK - Published: 2016-08-12 - Publisher: Routledge
Terrence Malick is one of the most important and controversial filmmakers of the last few decades. Yet his renown does not stem from box office receipts, but rather from his inimitable cinematic vision that mixes luminous shots of nature, dreamlike voiceovers, and plots centered on enduring existential questions. Although scholars have thoroughly examined Malick’s background in philosophy, they have been slower to respond to his theological concerns. This volume is the first to focus on the ways in which Malick integrates theological inquiries and motifs into his films. The book begins with an exploration of Malick’s career as a filmmaker and shows how his Heideggerian interests relate to theology. Further essays from established and up-and-coming scholars analyze seven of Malick’s most prominent films – Badlands (1973), Days of Heaven (1978), The Thin Red Line (1998), The New World (2005), The Tree of Life (2011), To the Wonder (2012), and Knight of Cups (2015) – to show how his cinematic techniques point toward and overlap with principles of Christian theology. A thorough study of an iconic filmmaker, this book is an essential resource for students and scholars in the emerging field of religion and film.
Terrence Malick
Language: en
Pages: 125
Authors: Lloyd Michaels
Categories: Biography & Autobiography
Type: BOOK - Published: 2009 - Publisher: University of Illinois Press
A critical analysis of an exceptional American director
Terrence Malick
Language: en
Pages: 256
Authors: Daniele Villa
Categories: Art
Type: BOOK - Published: 2015-12-22 - Publisher: Faber & Faber
Terrence Malick's debut film, Badlands, announced the arrival of a unique talent. In the 40 years since that debut, Malick has only made 5 films, but they are distinctive in their beauty. This book is not meant to be a biography of Terrence Malick. The purpose behind the book is to introduce readers to the extraordinary universe of his film-making and to aid them in understanding his work. And to do this through the words of his closest collaborators - cinematographers, set designers, costumers, cameramen, directors, producers, and actors such as Sean Penn, Martin Sheen, Sissy Spacek and Jessica Chastain. As their words flow from one to another, they form a fascinating, kaleidoscopic vision of American film and specifically Malick's artistic world. who make up a film. This book is the fruit of a journey began years ago when Luciano Baracaroli, Carlo Hintermann, Gerardo Panichi and Daniele Villa made a documentary on the work of Terrence Malick, which led to the making of this book as well.
Eine Entwicklungstendenz im philosophisch-poetischen Erzählstil von Terrence Malick
Language: de
Pages: 36
Authors: Thomas Ochs
Categories: Art
Type: BOOK - Published: 2009 - Publisher: GRIN Verlag
Studienarbeit aus dem Jahr 2008 im Fachbereich Filmwissenschaft, Note: 1, Universitat Wien (Theater-, Film- und Medienwissenschaft), Veranstaltung: Techniken Wissenschaftlichen Arbeitens, 32 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Der Erzahlstil von Terrence Malick lasst sich grob skizziert damit zusammenfassen, dass er von einem neutralen Standpunkt aus versucht das philosophisch-poetische Wesen der Natur, ihre Allgegenwartigkeit mit dem menschlichen Dasein zu verbinden. Sein Anliegen liegt darin die grossen Fragen der Philosophie, vor allem jene nach der Existenz des Menschen, mit seinem filmischen Stil auszudrucken. In seinem Artikel Mit Hegel in die neue Welt fur die Tageszeitung Die Welt stellt Hanns Georg Rodek fest, dass Terrence Malick eben keine Geschichten im traditionell aufgefassten Sinne erzahlt, sondern seine Eindrucke darstellt. Es fallt schwer, den entscheidenden, dramatischen Moment in Malicks Filmen zu finden, in dem die Dinge passieren . [...] Malick mag es, die, Mitte" jeder Geschichte, jeder Action, jeder geistigen Verfassung oder jeder Stimmung auszulassen. Durch diese naturliche und vollig neutrale Beobachtungsfunktion der Kamera entsteht das Empfinden, dass die Handlung des Filmes einfach nur geschieht und diese Dramatik, die in diesem Geschehen steckt, wiederum fur Terrence Malick uberhaupt nicht wichtig erscheint. Denn sein Augemerk liegt in keinem seiner bisherigen Filme auf solchen dramatischen Hohepunkten. Ihn